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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.







.....Cia. Jordi L. Vidal (Brussels)

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OXYMORON




Genre: Street Theatre
Category: Small

Components: 2
Fee: 900-1500 €
Language: No Word
Duration: 35 min.
 
     
  « OXYMORON » “SO TASTY…SO EXCITING…SO SLURP!” Contemporary Dance and Clown Visual show with a crazy sense of humour For all kind of audiences More info and pictures at www.jordiLvidal.net “Oxymoron and its irresistible choreographies delivered by two burlesque dancers. L'Avenir Luxembourg. Benoît GUEUNING. Monday 13 July 2009 With David Vossen and Jordi L. Vidal

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  Lights:
Lighting _ to provide and build by your organisation -If representations without daylight, or at night or inside: 12 Par 64 Cp 62 to be able to lighting the full stage and to create a warm atmosphere + a string of Christmas / fairy lights covering the outside of the entire playing floor

Audio:
to provide and build by your organisation -1 professional sound system -1 CD player -Diffusion: downstage and towards the audience left and right speakers (2) -Sound installation (Cd player) on the stage space on the right side

Required space: mt. 8 X 8 X 5

Ideal venue: Yard
Ideal audience: All ages

Setting up: 30 min.
Dismanteling: 30min.

Other requirements: -A space marked and delimited by the space architecture: A) If it’s inside; via the walls, doors...Best areas a exhibition room, a theatre hall. B) If it’s outside; via the buildings, public benches, trees...Best areas, on a public square. -Floor: flat and before hand cleaning floor. Not slippery neither bent surface. -We prefer to use the real back wall -1 dressing room, 2 Performers (David Vossen and Jordi L. Vidal) with water supply, mirror and close to the playing space

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To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of street arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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