tuesday 8 / 10 / 2024 | 1335 members |
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1) READ YOU THE STATUTE OF OPEN STREET AISBL
2) IF YOU ARE NOT REGISTERED YOU MUST REGISTER
3) YOU MUST PAY THE MEMBERSHIP FEE
Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.
WHO WON THE "AUDIENCE MAKES THE FESTIVAL" P.I.C. EUROPEAN CONTEST 2018
PIC FESTIVAL in SIBIU (RO)
La Sbrindola (5 stars rating)
www.lasbrindola.com
Leonardo Cristiani: juggler, clown, performer. Marco Macchione: He began playing drums at the age of 13. The show “La Sbrindola” is born from the friendship and meeting of two amazing and outgoing identities. This has resulted in the creation of a show endowed with an incredible energy and unpredictable delirium, with a great deal of involvement from the audience!
PIC FESTIVAL in BREMEN (DE)
Duo Kaos (5 stars rating)
www.duokaos.com
Duo Kaos was founded in 2009 by circus and theatre artists Giulia Arcangeli and Luis Paredes. On the street, the square or the theatre, every time Duo Kaos is staged, a new imaginary world comes to life, the unmistakable poetic theatricality of Giulia and Luis combine to form an elegant and original acrobatic style.
PIC FESTIVAL in MONTEGRANARO (IT)
Sybilla Saxofone Quartet (4.95 stars rating)
Instagram
Formed inside the "G.B Pergolesi" Music Conservatory of Fermo, from the passion for music that has always united its components, Sybilla is a street sax quartet which can seduce and entertain the public with a contemporary and light repertoire, interpreted with mastery and virtuosity. A true revolution for the ears, an exciting show for everyone.
THE NEXT OPPORTUNITY FOR YOU? WITH THE 2019 PIC FESTIVAL !!!
To OPEN the city gates to performing arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.
The creation of a international debate, the comparisons between
normative and laws, different urban patterns and policies for development
and support of performing arts, will drive to a new consciousness and
will produce new stimulus in administrators and art operators. This
route could not be undertaken on a simple regional or local level.
Our country, now, is Europe!