tuesday 8 / 10 / 2024 | 1335 members |
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1) READ YOU THE STATUTE OF OPEN STREET AISBL
2) IF YOU ARE NOT REGISTERED YOU MUST REGISTER
3) YOU MUST PAY THE MEMBERSHIP FEE
Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.
Aleksandar
Caric OPEN STREET AISBL Administrator Umetnièka Asocijacija Inbox, Svetozara Miletica 4, 31010 Novi Sad (Serbia) Mob. [Info available to members only] tatamata@hotmail.com www.ulicnisviraci.com |
Alessio Michelotti OPEN STREET AISBL Administrator Ass IL TEATRO CHE CAMMINA, Via Borgo Ciser 33, 31010 Fregona (TV - Italy) +39 (0)438 580986; mob [Info available to members only] info@ilteatrochecammina.it www.open-street.eu |
Roberto Leopardi OPEN STREET AISBL Secretary Via Borgo Ciser 33, 31010 Fregona (TV - Italy) +39 (0)438 580986 mob [Info available to members only] info@open-street.eu www.open-street.eu |
Ana Lopez Asensio Ayuntamiento de Leioa Jose Ramon Aketxe Plaza 11, 48940 Leioa (Spain) 0034 946072578 alopez@leioa.net www.umoreazoka.org |
Constantin Chiriac Teatrul National Radu Stanca Sibiu Bulevardul Corneliu Coposu 2, 550245 Sibiu (Romania) 0040 269 210 092 proiecte@sibfest.ro www.sibfest.ro |
Gabriele Koch Neue Gruppe Kulturarbeit Eingetragener Verein Schildstraße 21, 28203 Bremen (Germany) +49 421 706582; +49 421 74007; mob [Info available to members only] info@strassenzirkus.de www.strassenzirkus.de |
Giuseppe Nuciari FNAS President Comune di Montegranaro Director for cultural activities Piazza Mazzini 1, 63014 Motegranaro (FM - Italy) +39 (0)734 897932; mob [Info available to members only] info@veregrastreet.it www.veregrastreet.it |
Piotr Chlipalsky Manana Production House Zwyciestwa 4/5, 44-100 Gliwice (PL) +48 609 883 994 festiwal@ulicznicy.pl www.ulicznicy.pl |
To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.
The creation of a international debate, the comparisons between
normative and laws, different urban patterns and policies for development
and support of street arts, will drive to a new consciousness and
will produce new stimulus in administrators and art operators. This
route could not be undertaken on a simple regional or local level.
Our country, now, is Europe!