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sunday 11 / 12 / 2016 | 1044 members
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.












A free service to promote European Cooperation in the field of performing arts.

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COOPERATION PROJECTS: CALL ONLINE

Published by the Culture Agency of the European Communities the Call of Creative Europe for cooperation projects.




It was published with two months delay the expected 2017 Call about Cooperation Project in the ambit of CREATIVE EUROPE Programme. The deadline for submission of applications is November 23rd. Open Street aisbl is available to help its members for partnerships building and assistance on application dossiers preparation.

>>> COOPERATION

Category 1 - Small-scale cooperation project
Partnership: at least 1 project leader + 2 partners (3 different countries)
EU co-financing: up to 200,000 euros (up to 60% of total costs).
Duration: up to 48 months

Category 2 - Large-scale cooperation Project
Partnership: at least 1 project leader + 5 partners (5 different countries).
EU funding: up to € 2,000,000 (up to 50% of total costs).
Duration: up to 48 months






The Nobel Jester left us!

Dario Fo, one of the great actors of world popular theater, passed away at the age of 90 years.




The death of Dario Fo, on October 13th, 2016, is a great loss for the European Popular performing arts. Nobel Prize in Literature in 1997 "because, following the tradition of medieval jesters, he mocks the power, restoring dignity to the oppressed", within him the art of buffoon reached very high levels.

Dario Fo has stimulated the birth and spread of Italian Street Theatre movement. It has often championed the liberalization of urban spaces in Italian cities, and the political sentiment has always been a foundation of his shows.




Open Street support Rhodes-Dodecanese 2021




Rhodes is at the final selection stage for the title of the European Capital of Culture for the year 2021. Its Candidacy titled “Rhodes/Dodecanese 2021: Journey to the Light” was pre-selected last February among 14 Greek cities, and now competes with Kalamata and Ellefsina. The winner will be designated this coming November.

Open Street aisbl has signed an agreement protocol for cooperation in the project, with the Committee chaired by Nikos Chatzipapas, historical member of the network Open Street, director of the INTERNATIONAL STREET THEATRE FESTIVAL in Athens.




CREATIVE EUROPE

Waiting the last call




July 2016 is the month in which the last call of the largest European programme for cultural and creative sector it will be published.

The Creative Europe programme is a 1.46 billion euro programme dedicated to the cultural and creative sector for 2014-2020, it includes two subprogrammes (Culture and MEDIA)

Call issuing: July 2016
Submission deadline: October 2016
Information to applicants: March 2017

>>> COOPERATION

Category 1 - Small-scale cooperation project
Partnership: at least 1 project leader + 2 partners (3 different countries)
EU co-financing: up to 200,000 euros (up to 60% of total costs).
Duration: up to 48 months

Category 2 - Large-scale cooperation Project
Partnership: at least 1 project leader + 5 partners (5 different countries).
EU funding: up to € 2,000,000 (up to 50% of total costs).
Duration: up to 48 months






The UK performing arts view on Brexit

Majority of performing arts opinions leaders are Worried about Brexit: 'A huge step backwards for creatives'




The prospect of leaving the EU has been variously described as a “nightmare”, “artistic isolation” and a “huge creative step backwards” by arts leaders surveyed by the Media.

The vast majority of figures contacted from a Gardian Journalists team, and many more responding to a Guardian appeal, said they were against the UK leaving the union for both practical and emotional reasons.

Many voiced fears about barriers to the free movement of labour and the loss of access to EU arts funding.

Alistair Spalding, chief executive of Sadler’s Wells theatre in London, one of the UK’s most internationally diverse venues, said he could not think of a single advantage to leaving, but foresaw many problems.

"There is the nightmare of visa and work permit applications that we have to do. It is less complex for countries in the EU but that would all be thrown up in the air… we would have to bring in more staff to deal with it... Honestly, I don’t think people really understand what a nightmare it is. Leaving Europe, for our business, it’s bad".






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OPEN STREET TUBE, European Performing Art Video Archive

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UPLOAD your productions and highlight them in OPEN STREET TUBE, to propose them on festivals across Europe.

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To OPEN the city gates to performing arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of performing arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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