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friday 27 / 11 / 2020 | 1228 members
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.




OPEN STREET EUROPEAN FESTIVALS AGENDA

Given the progressive improvement of pandemic conditions and the loosening of safety rules in many European countries, on May 18th, 2020 Open Street aisbl decided to take a census of the European network of performing arts festivals and launched a European agenda where operators in each country will be able to note down the dates of cancelled / to be confirmed / confirmed festivals. This initiative aims to promote artistic programming and defend the creative chain. Thank you for your contribution.

You can contribute by entering the dates of your international event yourself. If you are an artist and you know all the data of the festivals that host you this year, you can contribute to the Agenda too.

Thank you.







A free service to promote European Cooperation in the field of performing arts.

Try now!





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Open Street support Rhodes-Dodecanese 2021




Rhodes is at the final selection stage for the title of the European Capital of Culture for the year 2021. Its Candidacy titled “Rhodes/Dodecanese 2021: Journey to the Light” was pre-selected last February among 14 Greek cities, and now competes with Kalamata and Ellefsina. The winner will be designated this coming November.

Open Street aisbl has signed an agreement protocol for cooperation in the project, with the Committee chaired by Nikos Chatzipapas, historical member of the network Open Street, director of the INTERNATIONAL STREET THEATRE FESTIVAL in Athens.




CREATIVE EUROPE

Waiting the last call




July 2016 is the month in which the last call of the largest European programme for cultural and creative sector it will be published.

The Creative Europe programme is a 1.46 billion euro programme dedicated to the cultural and creative sector for 2014-2020, it includes two subprogrammes (Culture and MEDIA)

Call issuing: July 2016
Submission deadline: October 2016
Information to applicants: March 2017

>>> COOPERATION

Category 1 - Small-scale cooperation project
Partnership: at least 1 project leader + 2 partners (3 different countries)
EU co-financing: up to 200,000 euros (up to 60% of total costs).
Duration: up to 48 months

Category 2 - Large-scale cooperation Project
Partnership: at least 1 project leader + 5 partners (5 different countries).
EU funding: up to € 2,000,000 (up to 50% of total costs).
Duration: up to 48 months






The UK performing arts view on Brexit

Majority of performing arts opinions leaders are Worried about Brexit: 'A huge step backwards for creatives'




The prospect of leaving the EU has been variously described as a “nightmare”, “artistic isolation” and a “huge creative step backwards” by arts leaders surveyed by the Media.

The vast majority of figures contacted from a Gardian Journalists team, and many more responding to a Guardian appeal, said they were against the UK leaving the union for both practical and emotional reasons.

Many voiced fears about barriers to the free movement of labour and the loss of access to EU arts funding.

Alistair Spalding, chief executive of Sadler’s Wells theatre in London, one of the UK’s most internationally diverse venues, said he could not think of a single advantage to leaving, but foresaw many problems.

"There is the nightmare of visa and work permit applications that we have to do. It is less complex for countries in the EU but that would all be thrown up in the air… we would have to bring in more staff to deal with it... Honestly, I don’t think people really understand what a nightmare it is. Leaving Europe, for our business, it’s bad".






CREATIVE EUROPE results 2016

50% of funded projects is in the field of Performing Arts




Click here for complete results.

The results of the call EACEA 29/2015 on European Cooperation Projects were published. On a total of 529 projects, submitted by 36 countries participating in the program, 66 of them, between Small and Large Scale, were financed. 50% of them are in the field of Performing Arts !!!

Regarding the Small Scale, 51 projects (24 on Performing Arts) were selected out of 404 submitted by 36 countries, for a total of 9,847,360.77 Euros: France is leader in 10 selected projects, followed by UK (7) and Italy (6). Italy is leader in presence, having 31 partners in the selected projects, followed by France (28) and UK (20).

Regarding the Large Scale, 15 projects (8 on Performing Arts) were selected out of 125 submitted by 24 countries, for a total of 27.291.922,27 Euros: France is leader in 4 selected projects, followed by Germany (3) and Italy (2). France and Belgium are present with 17 partners each in selected projects, followed by Germany (14) and Italy (11).






The European Culture Forum

19-20 April 2016, Flagey, Brussels




The European Culture Forum is a biennial flagship event organised by the European Commission, aimed at raising the profile of European cultural cooperation, uniting the sector's key players, taking stock the European Agenda for Culture's implementation, and sparking debate on EU culture policy and initiatives. The event, also a major networking opportunity, will highlight culture's role in breeding talent and creativity.




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OPEN STREET TUBE, European Performing Art Video Archive

The meeting place for live performances buyers and sellers !!



UPLOAD your productions and highlight them in OPEN STREET TUBE, to propose them on festivals across Europe.

TAKE PART in periodical International Showcase, in order to test ONLINE the interest of operators in your artistic proposals.





To OPEN the city gates to performing arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of performing arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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